- Join writing coach Judyth Hill and literary agent Katharine Sands for an in-depth week focusing on both craft and career. We’ll explore all aspects of your writing and book, from powerful beginnings and plot to query letters and the business of publishing. During your stay at the historic Castine Inn, in the picturesque town of Castine on Penobscot Bay, you’ll attend classes and roundtable discussions in an intimate setting, fine-tuning your writing and laying the groundwork to sell it.
- Bring your manuscript, your ideas and your dreams and leave with a personalized plan for success, all while experiencing the magic of summer in Maine. Ready Your Work for Agents, Editors, Publishers and Producers!
- This same program is also offered during Day of the Dead in San Miguel de Allende, Mexico:
October 27-November 3.
Working with Judyth Hill, master teacher and poet
We’ve written and re-written, but are we there yet? How, indeed, can you know when your book is ready to hit the BigTime? In our four sessions together, we will work with my ARE YOU REALLY FINISHED Checklist, and, no matter where you are starting from…we will get you to the finish line.
Part I: Plan the Work, and Work the Plan
Guided by our Checklist, we’ll go through all the nuts and bolts that comprise Done. This will
be a time of describing your project, and your goals, asking questions and getting super clear about where you are on your journey to Ready.
Part II: First Responder on the Plot Scene
Even a memoir must be plotted, yup, even a collection of poems needs a captivating thread. What to tell and when, how to pace your story, find and follow your arc, engage your reader,
and keep ‘em right in there. This is a function of plot, and we’ll look at the many juicy possibilities for your project: not rules: but Radar, ways to see the most compelling way to tell your story. And then…
Part III: Bring Us There: Location, Location, Location
Reader Drift is often caused by our not pulling them into Place, and locking that attention down by vivid, all-five-senses-on-deck descriptions. We’ll have fun, focused writing practices to get a grip on this skill.
Part IV: Dynamite Readings that Sell Your Book
You’ve given your book your best – now, let’s learn to perform it with verve and passion. Engage your audience, and bring YOUR unique style fully forward.
Learn more about Judyth here.
Working with Katharine Sands, literary agent and creator of Pitchcraft
Writers are welcome at many stages of creation and in many formats, whether developing and marketing material for print, digital or other media. During our time together, we’ll discover all the many ins and outs of the publishing universe.
Parts I: Getting Ready, Getting Read and Getting Readers
Literary agents are always on a treasure hunt. But few writers know what it takes to make agents yell at first glance: “Eureka, I’ve struck gold!” And a first glance is all that most writers will get before the agent moves on without ever reading further. In this class, Katharine shows you the best ways to showcase your writing as a bold, new entry into this category—and yourself as a potential author with an intriguing book poised to spring forth.
Part II: From First Writes to Last Rights
Delve into trends in publishing, expanding digital markets, and the actual business of books—and its quirks and processes and challenges. Tour the submissions and acquisitions process of getting-an-agent/submitting-to-editors, focusing on fundamental guiding principles behind all successful authors and the author-agent-editor relationship, including how to identify and develop your selling points and sales engines
Parts III & IV: Making the Perfect Pitch: How to Catch a Literary Agent’s Eye
The best pitches give off sparks, create a moment, or pose a provocative question just to give a taste of the project. Learn what to do–and what not to do–when summarizing your book: How to get an agent from the get-go; start in a logical place, yet from a compelling perch; how to encapsulate in clear core points; ways to create coming attractions that whet the reader’s appetite for more—and how to avoid "Querial Killers": the easy-to-fix mistakes writers make. This class cuts through the mystery of getting an agent to want YOU, to read YOU, and to say YES to YOU.
Learn more about Katharine here.